When Paramount+ quietly confirmed last week that “Landman” will return for a third season, the announcement felt less like a surprise and more like the next inevitability in a story that has been gathering weight across the West Texas oil patch. Viewers who have been tracking the show know exactly what Taylor Sheridan and his collaborators have assembled: a drama dense with tension, character, and atmosphere, the kind of narrative that presses up against the limits of a single hour and spills over anyway. Even with Season 2 only three episodes deep, the series has just begun peeling back the layers of Sam Elliott’s character. At the same time, the camera roams iconic landscapes and familiar Fort Worth settings, a visual language that repeatedly points out as part of the show’s appeal.
Paramount+ made the renewal official on December 5, barely three weeks after the season launched, and outlets such as Variety and Deadline traced the decision directly to a surge in viewership rather than to marketing momentum or critical chatter. Those reports emphasized that the premiere shattered internal records and elevated “Landman” from breakout title to flagship, giving executives the confidence to lock in another year.
The numbers themselves have been catalogued across multiple industry publications: according to coverage drawing on Paramount’s own data, the Season 2 debut drew 9.2 million views in its first forty-eight hours, the biggest premiere in the platform’s history, and more than double, in some estimates, roughly 262 % of the audience for Season 1. Nielsen rankings cited in the same reporting placed the show among the Top 3 originals across all platforms during the week of November 17 and then into the Top 2 the following week, a climb that made the December renewal feel, in the phrasing of several outlets, “almost self-evident.” Paramount+ acknowledged those record-setting figures in its announcement, tying the decision directly to audience demand rather than to any creative or corporate calculus.
Paramount Network
That momentum rested on a foundation laid the previous year. “Landman” debuted on November 17, 2024, with roughly 35 million global streams for its first episode, a performance the service called its most-watched original and its leading engine of engagement. Late-2024 industry rankings placed the series among the Top 10 streaming originals alongside Sheridan titles such as “Tulsa King” and “Special Ops: Lioness,” reinforcing his status as one of Paramount+’s most reliable creative forces. Executives moved quickly even then. Chris McCarthy, president and CEO of Showtime/MTV Entertainment Studios and Paramount Media Networks, called the show “one of the biggest of the year,” and before Season 1 had finished airing, Season 2 was already ordered — a sequence that multiple trade outlets described as proof that the platform saw the series as a long-term anchor rather than a short-term hit.
Season 2 continues in a steady weekly rhythm, with ten episodes arriving Sundays at 3 a.m. Eastern and a finale set for January 18, 2026. Because the renewal landed mid-season, outlets such as Esquire have noted a shift in viewer energy: the arcs involving Tommy Norris’s presidency at M-Tex, his fraught relationship with Cami Miller, and Cooper Norris’s risky alliance with Gallino no longer carry the same pressure to resolve immediately. Instead, audiences watch knowing that the writers have at least one more season to explore the consequences, a structure that helps the narrative feel expansive rather than episodic.
Critics consistently trace the show’s resonance to its grounded source material. Co-created by Sheridan and journalist Christian Wallace, “Landman” adapts Wallace’s eleven-part podcast “Boomtown,” produced by Imperative Entertainment and Texas Monthly, which explored the modern Permian Basin boom.
Coverage of the adaptation stresses that the series preserves the podcast’s interest in the friction between labor, risk, and capital while following Billy Bob Thornton’s Tommy Norris through negotiations, industrial crises, and family tensions shaped by a boom that is reshaping climate, economics, and geopolitics. Although the story is rooted in West Texas, regional reporting has repeatedly noted that most of the filming takes place in North Texas — especially in Tarrant and Parker counties — with MTV Entertainment Studios, 101 Studios, and Sheridan’s Bosque Ranch Productions handling production.
Awards attention has amplified the show’s profile. Thornton earned a Golden Globe nomination after Season 1, followed by a Critics Choice nomination, recognitions that several outlets cited as proof the series functions both as a ratings juggernaut and a prestige contender. The ensemble — Demi Moore, Andy Garcia, Sam Elliott, Ali Larter, Jacob Lofland, Michelle Randolph, Paulina Chávez, and others — has grown more textured, and Season 2 in particular has repositioned several characters. Tommy now leads M-Tex under Cami’s demanding oversight, while Cooper’s partnership with Gallino adds a sharper, more volatile financial tension to the narrative.
The creators have been transparent about their long-term horizon. Wallace has said in interviews referenced across multiple publications that the writers are “still just skimming the surface,” pointing to West Texas, Fort Worth, and the oil industry as “fertile soil for storytelling.” He has also explained that each season spans roughly ten days of story time, a pacing choice that allows for depth without accelerating character arcs. Thornton echoed that perspective in remarks reported by The Hollywood Reporter, noting that he signed a multi-year contract and intends to play Tommy Norris “as long as I’m able,” a phrase that aligns neatly with his four-to-five-year deal and hints at a project meant to unfold gradually rather than rush toward closure.
Taken together, the Season 3 renewal feels less like an extension and more like the next intentional chapter in a multi-year saga — one that has already proven it can command attention, sustain complexity, and carry the wild beauty of West Texas far beyond the oilfields. So, keep an eye out for those celebs, Fort Worth, they’re not wrapping up on Cowtown just yet.
